Dark Fiction by Lee Allen Howard


 

DEATH PERCEPTION by Lee Allen Howard The Bedwetter Cover the-adamson-family
The Sixth Seed Perpetual Nightmares MAMA SAID
DESPERATE SPIRITS by Lee Allen Howard NIGHT MONSTERS by Lee Allen Howard Severed Relations
THOU SHALT NOT... edited by Lee Allen Howard Tales Of Blood and Squalor plus text UPDATED Like Lee Allen Howard, author
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Interview: Justin Bienvenue Releases THE WAX FACTORY

Justin BienvenueJustin Bienvenue considers himself to be an author and poet. He lives in the New England area and became interested in writing in 2005 but has been writing on a more professional level since 2010. He says, “I mainly write horror and poetry although I’ve also written westerns and a crime thriller, so I try writing in other genres as well.”

Tell us about your latest project, Justin.

My latest novel is a gothic horror called THE WAX FACTORY, which is due out on May 31, 2019. It’s about a group of college students who, as part of a school project, go to an old factory for a tour. Along the way they realize this isn’t a normal tour, and the deeper into the factory they go, the more sinister and dark things become. Soon they are fighting for their lives and the project doesn’t seem to matter anymore. It’s the first part of a three-book series.

The Wax Factory by Justin BienvenueWhat have you published so far, and where?

I have five other published novels that are all published and available on Amazon. There are my two horror poetry books, THE MACABRE MASTERPIECE and THE MACABRE MASTERPIECE: REPRESSED CARNAGE. I’ve also written another poetry book, LIKE A BOX OF CHOCOLATES and then a western horror, A BLOODY BLOODY MESS in the Wild Wild West and a crime thriller, OPIUM WARFARE. I’ve also written short stories and poems in over fifteen anthologies.

What is your writing schedule like? Do you write every day?

My writing schedule is pretty wide open, and I can write anytime I want. I try to write every day whether it’s a story, poem, or just a blog post, but sometimes I admit I become too lazy or end up doing other things. When I do write, I want to make it count, so when I write I devote all my time to whatever piece I’m working on.

What was an early experience where you learned that language had power?

I read a lot of Shakespeare in high school, and while the rest of the class seemed bored and uninterested, I was intrigued. Shakespeare is one of those people who you either love or hate. Some of his works really spoke to me and still resonate with me today. He practically had his own language and his works really speak to people and have a lot of power, so since I started reading Shakespeare, it was then I learned early on that language had power.

People believe that being a published author is glamorous. Is that true for you?

Yes and no. I’m not famous; people don’t come up to me on the street asking for an autograph, and I’m not a bestselling author, but when I tell people I’m an author or that I have published books, they seemed pretty surprised. In some ways it is glamorous because I get to do what I enjoy, what I love, and being an indie author gives me one hundred percent creative control, and it’s all me. So being published is even more of a great feeling. At times it isn’t all it’s cracked up to be, as I’m still trying to make it, but glamorous is a good word because at times it feels totally like that.

What does literary success look like to you? Do you think you’ve attained it?

Literary success to me is partly what I wrote above. It’s becoming a best-selling author, having people recognize you and it’s making a lot of money off your books and having a big fan base that love you and your work. Do I think I’ll attain it? I want to but do I think I will? Well never say never but I’ll just keep doing what it is I love and do best, writing and if that type of success happens? Great, if not then I can always keep hoping.

Have you read anything that really made you think differently about fiction?

To be honest not really. I may write but I’m not much of a reader. When I started writing and became a published author I found a new appreciation for reading but it’s died down as of late and I haven’t read many of the classics or beloved fiction that most people swear by. Perhaps I will come across such a book when I decide to read, but so far, no.

What was your hardest scene to write?

I don’t think I’ve had any scene that was hard to write. I write whatever pops into my head. I map and plan it out before writing or write on the spot, and if I feel it’s unworthy, I delete it. I guess fight scenes at times have been hard to write just because it’s hard to really use the right words to explain what’s happening without it sounding like a fight in the 1960’s Batman TV show. I want to be describing the right things but I don’t want to use lackluster words or go over the top with it, so fight scenes are hard and challenging at times. Also love and sex scenes just because that’s not my type of genre, so that would be hard to write if I actually wrote such things.

Does your family support your career as a writer?

Yes, they are very supportive of my career. My mother enjoys all my work although it may be because she’s my mother and not just because she liked horror. They know I work hard and I’m really trying, and they know how creative I am, so they are supportive and hope the best for me.

Over the years, what would you say has improved significantly in your writing?

My detail in describing things and my dialogue. I wouldn’t say I was bad at dialogue but it wasn’t my strong suit. I feel I’ve improved on that aspect and am getting better the more I write. Also describing things. I had a tendency in the past to either not write about something enough or too much, so now I have found a good balance.

If given the opportunity to do it all over again, would you change anything in your books?

I can change anything in my books right now if I wanted to and nobody would really know unless I told them. I stick by what’s already been written and I believe in it and believe my audience will enjoy it. I’ve thought about changing small things, but that’s my own little issue. I’m proud of the work I have written and put out there.

What, according to you, is the hardest thing about writing?

The marketing that comes after! Lol. Don’t get me wrong, writing has its issues such as sticking with the topic you want to write about, writer’s block, but the thing nobody tells you is that you have to market your book after. Not only did you write it, but now you have to get people to see that your writing is good enough for them. I would also say I have an issue with commas that I’m really trying to fix.

What would you say is the easiest aspect of writing?

Planning what I’m going to write; the basics seem to come easy to me. By this I mean I have an idea in mind and I get started right away and for the most part I’m able to think and create without experiencing the dreaded writer’s block. Creativity and inspiration in writing come easy to me.

Do you read much and, if so, who are your favorite authors?

As I said I don’t read much but when I do read, I have my favorite authors like everyone else. I like Edgar Allan Poe, Rod Serling, Elmore Leonard, David Haynes, Vincent Hobbes, and Bettina Melher.

Justin’s website is http://jbienvenue.webs.com/
Follow him on Twitter @JustinBienvenue

Book Release: TALES FOR THE CAMP FIRE

NorCal Horror Authors Support Wildfire Relief with New Anthology of Scary Stories

Horror authors across Northern California have come together to release Tales for the Camp Fire, a new anthology of short stories, to support wildfire relief efforts. All profits from the sale of the anthology will be donated to wildfire relief funds administered by the North Valley Community Foundation.

On the morning of November 8th, 2018, the worst wildfire in the state’s history erupted in the foothills of Northern California. While emergency efforts were immediate, the Camp Fire burned for seventeen days before it was finally contained. It destroyed the town of Paradise and burned over 150,000 acres. At least 85 people died in the blaze. The impact of the fire was felt across the entire region as air quality became the worst in the world.

Tales for the Camp FireWhen a group of local horror authors got together, they asked what they could do. “We’re writers,” said San Leandro resident and author Ben Monroe. “How can we can help with our stories?” Soon they formed a plan to produce a charity anthology, contacting horror authors across the region to ask them to donate stories. Some wrote new pieces for the book, while others submitted favorite reprints for inclusion. In the end, the anthology topped out with 24 great stories totaling over 300 pages.

“Tales for the Camp Fire is a brilliant collection of truly creepy tales by horror’s hottest voices! Dark, funny, heartbreaking, and bizarre. Highly recommended!”
—Jonathan Maberry, New York Times bestselling author of V-Wars and Glimpse

Tales for the Camp Fire is edited by Loren Rhoads and is being published by E.M. Markoff’s Tomes & Coffee Press. It is now available in both paperback and ebook formats through Amazon. Members of the publishing team are attending the Bay Area Book Festival in Berkeley on May 4 & 5, and will have copies of the book available for sale there. All profits from the book will be donated to the North Valley Community Foundation efforts to support the ongoing wildfire relief efforts.

“A brilliant editor and author, Rhoads skillfully weaves together a collection of new and old yarns to create an exemplary tapestry of horror literature that will spook fans of the genre for years to come.”
—Moaner T. Lawrence, author of “The Great American Nightmare”

The book includes stories by Clark Ashton Smith, the grandfather of horror in Northern California, as well as by Bram Stoker Award winners Nancy Etchemendy and Gene O’Neill. Tales for the Camp Fire ranges from fairytale to science fiction, from psychological terror to magical realism, from splatterpunk to black humor, all rounded out by a messed up post-apocalyptic cookbook. Through these pages roam werewolves, serial killers, a handful of ghosts, plenty of zombies, Cthulhu cultists, mad scientists, and a pair of conjoined twins.

You may purchase Tales From the Campfire here: https://amzn.to/2V1ZTo0

About the Editor: Loren Rhoads served as editor for Bram Stoker Award-nominated Morbid Curiosity magazine as well as the books The Haunted Mansion Project: Year Two, Death’s Garden: Relationship with Cemeteries, and Morbid Curiosity Cures the Blues: True Tales of the Unsavory, Unwise, Unorthodox, and Unusual.

About the Publisher: Tomes & Coffee Press is an independent publisher of diverse and dark literature. Operated by Latinx author E.M. Markoff, it previously published The Deadbringer and To Nurture & Kill.

About the NCVF: The North Valley Community Foundation provides visionary community leadership by identifying emerging challenges in our region. NVCF brings together diverse groups of problem-solvers, mobilizes resources, and equips community leaders. We build and energize a community of engaged citizens and philanthropists who strengthen the common good.

Book Release: THE BEDWETTER by Lee Allen Howard

Dark Psychological Thriller Available Now in Trade Paperback and Ebook

“Lee Allen Howard’s The Bedwetter is an inventive psychological horror novel with a voice that’s as stylish as it is dark.” —Dustin LaValley, author of The Deceived

Armed with electric hair trimmers and a military fighting knife,
Russell accepts his dark commission.

His urination led to ruination.

The Bedwetter CoverRussell Pisarek is twenty-six years old and still wets the bed. He grew up different from other young men because his vicious mother punished him for wetting by shaving his head. When he confided this to his girlfriend Tina, she betrayed him by advertising his problem to all their high school classmates. He took out his frustration by skinning neighborhood cats.

Now Russell fantasizes about finding just the right woman—so he can shave her bald. He struggles to overcome his dark tendencies, but when his sister discovers he’s wetting again, she kicks him out of her house.

During this time of stress, the mythical Piss Fairy appears in his dreams, and Russell is driven to satisfy his twisted desires with his innocent coworker Uma, who also needs a new roommate.

When his plans go awry, the Piss Fairy commissions him for a much darker task that graduates him from shaving to scalping—and worse.

“Highly disturbing and electric.” —US Review of Books

“A brutal, dark, compulsive read… stark, powerful, and satisfying.” —Online Book Club

Read trigger warning below.

THE BEDWETTER is available now in trade paperback and ebook formats.

Purchase options

VENUE ORDER LINK
B&N Nook
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Amazon.com Kindle
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IndieBound Trade Paperback

“Grotesque, bizarre, and uniquely written, The Bedwetter will shake you and scare the piss out of you.” —Stephanie M. Wytovich, Bram Stoker Award-nominated author of Hysteria: A Collection of Madness

Warning!

This novel depicts intense violence, hardcore horror, and disturbing psychological terror in the vein of such works as Jack Ketchum’s The Girl Next Door, Cormac McCarthy’s Child of God, Joyce Carol Oates’ Zombie, J. N. Williamson’s The Book of Webster’s, and Jim Thompson’s The Killer Inside Me.

Although THE BEDWETTER is a fascinating in-depth character study into the mind and actions of a misogynistic and homophobic psychopath, the story events are vicious and brutal, the language coarse, and the approach to their reporting is cold and unflinching.

This book is not for the faint of heart or those easily offended by language, sex, or violence. Read at your own risk.

Read the first scene…

My mother’s lying on the basement floor of our house, where we lived when Becky and me were in school, fugly and naked on the red linoleum, with the electric hair clippers jammed up her cooz. They’re plugged in and running, eating her alive on the inside. She’s diddling herself with her big manly hands, yowling like a cat, and I can’t tell if it’s from pleasure or pain. Till I step up and piss on her. Then it’s all pain.

My arc of hot whizz hits her right in the face and splashes over her buzzed head & the pile of gray hair like dirty laundry on the tile. She gasps and spits and curses me like she always does.

I say, “Shame on you, now. Shame on you! SHAME ON YOU, YOU FUCKIN EVIL BITCH!

I spray a golden fountain down her body, over her flat tits, the bunched hysterectomy scar, and onto the mound of matted gray fur between her ricotta thighs.

When my piss hits the trimmers, she’s electrocuted and bucks like a rhino getting shock therapy. Sparks fly. She spews blue lightning out her hole, and then she bursts into flames, screaming like a demon. The flame dances up my piss stream like it’s lighter fluid, an unquenchable fire climbing the stairway to heaven.

But in the dream I never get electrocuted, I never get burned. At least I ain’t yet.

I always wake up. And I always wet the bed.

___

Please share this post in email, on Facebook, Twitter (@LeeAllenHoward) or Instagram (@LeeAllenHoward1).

Cover art by Jeffrey Kosh.

Trade paperback, 246 pages.


Goodreads Giveaway of THE BEDWETTER

I’m giving away ten paperback copies of THE BEDWETTER, my new horror/psychological thriller.

Follow the link below to enter. Good luck!

Enter Goodreads Giveaway


Interview: Matthew Brockmeyer Releases UNDER ROTTING SKY

I recently interviewed horror writer Matthew Brockmeyer. He lives in the redwoods of Northern California and has been writing about all of his life, although the path to making a career out of it, he says, has been a long one. “I write dark fiction and horror, usually with a both literary and transgressive edge to it.”

Under Rotting Sky by Matthew BrockmeyerTell us about your latest project. What’s it about?
Under Rotting Sky is a collection of short stories I’ve written over the past four years, including previously published tales and new work. It’s a good example of who I am as an artist, for it really runs the gamut from literary fiction to historical fiction to classic horror to extreme horror and splatterpunk.

What else have you published, and where?
I have one novel out: Kind Nepenthe, a ghost story set in the far back hills of Humboldt County. It’s gotten a lot of critical acclaim and done pretty well. I’ve had short stories published all over, in anthologies, magazines, journals.

What are you working on currently?
I’m working on a new novel about a young runaway punk-rock girl who falls into a cult of blood-worshiping pornographers. It takes place in San Francisco in the early 1980s.

Kind Nepenthe by Matthew BrockmeyerDo you want each book to stand on its own, or are you trying to build a body of work with connections between each book?
Both, actually. I’d like to have each of my works stand on their own, but there are connections that run through them. Most of my stories take place in Northern California, so there is always an interconnection of place. But there are also recurring characters as well. Like the work of Irvine Welsh and Louise Erdrich, all the stories take place in a shared world.

How did publishing your first book change your process of writing?
I don’t think it really did, honestly.

How do you balance making demands on the reader with taking care of the reader?
Hmmm, interesting question. I want the story to be clear. I don’t want readers confused, but at the same time I like to drop red herrings and have some misdirection, the way a magician will divert your attention for a moment during a trick. Surprises and twists are great, but clarity is extremely important as well. It’s a balancing act, I suppose.

What kind of research do you do, and how long do you spend researching before beginning a book?
I do pretty exhaustive research. I’ve written a couple of historical fiction stories and became a member of the historical society, visited local history museums, sought out experts. I’m a voracious reader and will search out books on particular subjects, both fiction and nonfiction. I also love documentaries. I’ve been having a blast researching the early punk scene of San Francisco for my new novel.

What period of your life do you find you write about most often? (child, teenager, young adult)
I find myself writing about kids and childhood a lot, but I’m also a parent so a lot of that comes from there. I’m also obsessed with subcultures, hippies, punks, beatniks, goths, back-to-the-landers and cults of sorts.

How do you select the names of your characters?
Oh, I have some fun there. I have some wild character names: Coyote, Calendula, Diesel, Slug, Garbage, Roach, Eight Ball, just to name a few. I like nicknames that stand out and are unforgettable. But I also like to juxtapose names, for instance in my novel Kind Nepenthe, while most of the characters have crazy names, the main protagonist is simply Rebecca, because I wanted to show that she was lost in this crazy world.

Sometimes the names I choose are references to books I love; sometimes the names just have a great ring to them. Dickens always had the greatest names: Ebenezer Scrooge, Uriah Heep, Pip, Fagan, Artful Dodger. He even had a Master Bater!

Do you read your book reviews? How do you deal with bad or good ones?
I usually read them, but it’s all subjective, so I don’t take bad reviews badly. People either like things or they don’t. It’s just the way it is; nothing is universally liked. Positive reviews are an affirmation, though, so they’re nice. You’ve got to have really thick skin to be an artist and put your work out there.

What one thing would you give up to become a better writer?
White bread and soda pop.

What is your favorite childhood book and why?
As a wee child Where the Wild Things Are. The theme of releasing your inner beast is one I return to often. I see it really as a werewolf story.

From my teen years, Lord of the Flies. It’s really a horror story. It’s an amazing look at the ease in which humanity falls into tribalism. The scene with the talking pig’s head on a stake is so surreal and wonderfully grotesque. Extremely well-defined characters. That enigmatic ending. Just a fabulous story.

Is there anything else you’d like our readers to know about you and your work?
Although I like to entertain, I also strive to say something about our existential nature and what it means to be human. But while many of my stories are nihilistic, I’m actually a pretty positive guy. Many times I am literally writing out my worst fears, which is why some pretty horrible things often happen. In the end it’s just a wild rollercoaster ride.

You can connect with Matthew Brockmeyer at his website: http://www.matthewbrockmeyer.com

Kind Nepenthe on Amazon


Guest Post: The Gift Trilogy by Michael Keyton

The Morgan family and Tredegar House have always fascinated me, in particular Evan Morgan, Papal Knight, sexual predator and Satanist, along with his more tragic sister, Gwyneth Morgan, who died in mysterious circumstances.

In ill health, weakened by enteric typhoid and drug abuse, Gwyneth was a severe embarrassment to her family and was all but incarcerated in the “Niche,” a large house in Wimbledon.

In the early hours of Thursday, December 11, 1924, she slipped out of the house and vanished. Six months later, her body was fished out of the Thames near Wapping.

The mystery is manifold. By all accounts, Gwyneth was severely ill, unable to walk far without feeling tired, and spent much of her time in bed. On the night she disappeared, London was shrouded in one of those legendary fogs, an impenetrable “pea-souper,” and the nearest entry point to the Thames was Putney Bridge, four miles from where she lived.

It’s hard to believe that a semi-invalid could walk four miles in thick fog through unfamiliar streets and fall into the river at Putney Bridge. The fact that her decomposed body was found in Wapping, even farther away, compounds the mystery. It would have to have floated along one of the world’s busiest waterways beyond Hammersmith and Rotherhithe without being seen.

Nature abhors a vacuum and so does the press. In the absence of hard facts, newspapers had a field day with theories involving white slavers, Chinese opium lords, and lesbian lovers.

In this context, The Gift was born.

Whilst the ostensible heroine in The Gift is an orphan, Lizzie McBride’s interaction with the Morgan family drives the story.

Born in a Liverpool slum, Lizzie McBride is the daughter of an Irish seer who dies when Lizzie is twelve, leaving her in charge of two younger sisters and a grieving father. When her father commits suicide, Lizzie is caught between two worlds. An aunt and uncle decide the three orphans would be better off with them in America. Just as they are about to board ship, Lizzie, on impulse, runs away, and her life changes forever.

Pursued by a vengeful aunt, Lizzie cannonades into the young and charismatic magician, Aleister Crowley, who for his own reasons introduces her to Lady Gwyneth Morgan, daughter of the richest family in Wales and sister to the flamboyant occultist, Evan Morgan.

The Gift by Michael KeytonUnknown to her, Lizzie possesses one devastating gift. When the occult world discovers this, governments and powerful individuals seek her out. Only one man can protect her: the magician John Grey.

Though there are elements of the fantastic, the novel is grounded in historical fact. It involves real people and historical events as it explores the occult underbelly of the English aristocracy and its links with the emergent Nazi movement.

The Gift is the first book of a trilogy, beginning in 1912 and ending in 1941. The three books trace the occult rivalry between two sisters, Elizabeth and Elsie McBride, and interweaves historical events and the cracks between—the ultimate prize, the unlocking of Hell.

Bloodline by Michael KeytonThe second book, Bloodline, traces the corruption of Elsie and the love/hate relationship between the two sisters.

The final book will describe Elsie’s attempt to engineer a bloodbath—World War II—through the occult manipulation of diplomacy; it ends in a struggle to the death between the two sisters as Operation Barbarossa begins.

The three books are inspired by the rich but wasted lives of Evan and Gwyneth Morgan, and the dynamics of three fictitious characters, Elizabeth and Elsie McBride, and the magician John Grey.

—Michael Keyton

The Gift on Amazon.co.uk

Bloodline on Amazon.co.uk

Interview: Reed Alexander

I recently had a chance to interview writer Reed Alexander. Reed AlexanderHe lives in upstate New York, where he’s become intimately familiar with the capital region. “Even since I was a scrappy teenager,” he says, “I spent a large portion of my childhood either in big cities or deep forest.” He holds a deep and separate love for both where, he admits he was “a bit of a wild animal” that may or may not have something to do with his love of horror.

Reed is a horror writer and critic, and a bit of a fanatic about the genre in general. “Nothing really entertains me quite as much as horror does. It is possible that the legends of both the deep forest and urban decay drove my curiosity for the terrifying. Both are equally and naturally scary places in their own right.”

When did you first start writing? Did you ever think it would lead you to where you are today?
I was twelve. I use to write RIFTS fan fic and didn’t think much of it at the time. As a matter of fact, I was so deeply ADHD and poorly disciplined in the English language, I seldom finished any writing until I was in my early twenties.

I’m still learning new things about the English language today at 38. It’s been a long, strange journey. I should mention I was illiterate until the fifth grade. I wasn’t a strong writer till about the age of 25, and I never considered it possible to have a career in writing. And yet, I felt compelled to. I couldn’t stop. I had stories and I needed to tell them. Even if no one would listen.

What are you currently working on? Do you have a release date, and where will it be available for purchase?
What I’m working on right now is a joint effort between me and a gentleman named James Leif. He doesn’t do interviews, otherwise I’d send him your way. Admittedly, he’s a bit of an enigma to me. Right now he’s studying a structure recently discovered among the Hobbit People (Flores Man) of Flores, Indonesia.

I do have two books coming out, though. The first is The Flagellant, which drops around the end of April. The other, In the Shadow of the Mountain, will be released next month. I’ve also recently accepted a contract to be in an anthology of short stories called Sorrow. My short is titled “Cold.”

What else have you published so far?
So far, I have a few shorts published in Art Post Magazine. The first story, “Inside,” was the featured story of their June edition. (https://artpostmag.com/product/june-2018-artpost-magazine-physical/)

The second is titled “Not In My Country,” which was accepted for their October Horror anthology. (https://artpostmag.com/product/october-2018-artpost-magazine/)

Oddly, the first thing I wrote, while really violent, wasn’t horror. It was about an anti-hero with serious reality-bending super powers called “Bend or Break.” (https://www.pagepublishing.com/books/?book=bend-or-break)

What is the most difficult part of your artistic process?
Focus. I have serious ADHD. I’m always working on five thing at a time.

How long on average does it take you to write a book?
Depends on the book. The first thing I wrote took months to finish and years to perfect. The most recent novella I wrote took only about two weeks to write and about a month to perfect.

A common misconception about authors is that they are socially inept. Does that hold true for you?
I am about as socially awkward as they come. I hate being around people. I don’t like social situations. I can’t stand the mall, I can’t stand bars, I can’t stand clubs… this is basically going to turn into a list of places filled with people that I don’t like.

Now, I can socialize and, as a matter of fact, I find I do it well. I just hate to.

What makes the horror genre so special to you?
I don’t know. Life is pretty boring really. I guess I wish it was actually filled with ghosts and monsters and shit. Writing is about escapism. Why I choose to escape into the terrifying? Not sure. I just find it more interesting than fantasy or action. I think it’s the nature of the conflict. Something feels more human about the struggle inherent to horror.

What’s your process for getting from idea or situation to an actual plot that you can outline (if you outline)?
I don’t outline. I usually get an idea and then I target an outcome. It feels like the journey between point A and B is just a natural progression.

So how do I get an idea? Several different ways. I either have a dream—no shit—I have a nightmare that has a full-blown plot, start to finish, and I write that, or something pisses me off. When something pisses me off, I feel the need to address it in some way. The Flagellant, for instance. That story is about how much I hate the way victims are commonly written in horror movies. Far too often, they’re written as either generally obnoxious debauchees at best, or absolute insufferable assholes at worst. There’s no relating to them and half the damn time you’re rooting for them to get killed. I wanted to write a story about trying to humanize said insufferable assholes.

If you had the choice to rewrite any of your books, which one would it be, and why?
The Flagellant. I wrote it almost twelve years ago, and I’ve improved so much since then. It took three editors almost two months to clean it up. It was embarrassing. I’d want to rewrite it as the writer I am now to see what I could do with it.

Do you prefer writing short stories, novellas, or novels?
The pen COMMANDS ME! I joke, of course, but I really don’t know what I’m writing until I’m in the thick of it. There’s no real preference. I feel like some stories just need to run longer than others.

Do you have a writer’s website or Facebook page where readers can follow you? Twitter?
Of course. My reviews are on Horror.Media, and Madnessheart.press.
https://theswamp.media/authors/reed-alexander
https://madnessheart.press/blog/

Samples of my writing are on my Facebook page and occasionally on Twitter but also my reviews, so check out the Notes on my Facebook page:
https://www.facebook.com/AuthorReedAlexander/
https://twitter.com/ReedsHorror