A month ago I posted the first scene of my work in progress, a dark psychological thriller I’ve titled THE BEDWETTER. It’s about an abused young man with chronic secondary nocturnal enuresis who, as pressures mount, embarks on a killing spree using the tools of his dark fantasies.
Idea Development in THE BEDWETTER
I originally received inspiration during some time off I took at the end of last year. I got the idea about a young man being punished in a horrifying way for wetting the bed. I used those two weeks to formulate a big-picture plan for the story, filling out plot and character questionnaires, just getting to know the story.
From that point on, I began to hear this character’s voice and was often interrupted by creative “downloads” of information that I would later work into scenes and dialogue.
Plotting of THE BEDWETTER in Truby’s Blockbuster 6
I spent all of January and the first half of February doing more detailed plotting using John Truby’s screenplay development software, Blockbuster 6. The application leaves a lot to be desired, but it enabled me to draft a list of scenes and arrange them in the right order. Then, I fleshed out each scene, answering questions such as:
- My challenge in writing this scene
- My strategy for writing this scene
- The scene goal (POV character’s desire)
- The character’s plan to achieve the goal
- The opponent in the scene
- The scene’s conflict
- Any twist revealed
- The scene’s moral argument (value A vs. value B)
Blockbuster 6 also enables you to include the structures of up the three genres in your story (for example, horror, thriller, and myth); track six storylines; and monitor key words, symbols, and tag lines.
I completed a scene form for 59 scenes in the book, and included in each scene some details about what needs to happen and the information I must reveal when I write the scene.
Drafting THE BEDWETTER in Scrivener
I downloaded the Beta of Scrivener for Windows over a year ago and played around with it, but didn’t use it seriously. I got serious with THE BEDWETTER. I created folders for characters, research, and scenes. Scrivener 2.0 isn’t perfect either, but it offers scads of cool project management features geared toward writers. I love using it now and likely will continue to do so.
Starting mid-February, I began taking my Blockbuster scene sheets and writing actual scenes from them. Weeknights I would spend two to three hours in any one of half a dozen coffee shops around Pittsburgh’s east end—the same on Saturdays and five hours on Sundays—drafting scenes and making progress. I didn’t start keeping detailed stats until March 3, but here are my word count stats so far:
My initial goal for a first-person, present-tense novel in this voice was 42,500 words. But by the time I finished the beginning scenes and started writing the middle, I realized it would be longer. My present goal is 52,500. We’ll see where it comes in at when I’m finished. And I already have 45 scenes; my total will exceed 59.
Read the First Scene of THE BEDWETTER
I invite you to read a draft of the first scene. I’m warning you, it’s dark. (I’ll confide that some of it has been tough to write.) But I must remain true to my inspiration. This story wants to be told, and I’ve never before enjoyed such a flow of ideas and writing.
I’ll keep you updated on my progress. In the meantime, I’d love to hear from you!