Interview: Reed Alexander

I recently had a chance to interview writer Reed Alexander. Reed AlexanderHe lives in upstate New York, where he’s become intimately familiar with the capital region. “Even since I was a scrappy teenager,” he says, “I spent a large portion of my childhood either in big cities or deep forest.” He holds a deep and separate love for both where, he admits he was “a bit of a wild animal” that may or may not have something to do with his love of horror.

Reed is a horror writer and critic, and a bit of a fanatic about the genre in general. “Nothing really entertains me quite as much as horror does. It is possible that the legends of both the deep forest and urban decay drove my curiosity for the terrifying. Both are equally and naturally scary places in their own right.”

When did you first start writing? Did you ever think it would lead you to where you are today?
I was twelve. I use to write RIFTS fan fic and didn’t think much of it at the time. As a matter of fact, I was so deeply ADHD and poorly disciplined in the English language, I seldom finished any writing until I was in my early twenties.

I’m still learning new things about the English language today at 38. It’s been a long, strange journey. I should mention I was illiterate until the fifth grade. I wasn’t a strong writer till about the age of 25, and I never considered it possible to have a career in writing. And yet, I felt compelled to. I couldn’t stop. I had stories and I needed to tell them. Even if no one would listen.

What are you currently working on? Do you have a release date, and where will it be available for purchase?
What I’m working on right now is a joint effort between me and a gentleman named James Leif. He doesn’t do interviews, otherwise I’d send him your way. Admittedly, he’s a bit of an enigma to me. Right now he’s studying a structure recently discovered among the Hobbit People (Flores Man) of Flores, Indonesia.

I do have two books coming out, though. The first is The Flagellant, which drops around the end of April. The other, In the Shadow of the Mountain, will be released next month. I’ve also recently accepted a contract to be in an anthology of short stories called Sorrow. My short is titled “Cold.”

What else have you published so far?
So far, I have a few shorts published in Art Post Magazine. The first story, “Inside,” was the featured story of their June edition. (

The second is titled “Not In My Country,” which was accepted for their October Horror anthology. (

Oddly, the first thing I wrote, while really violent, wasn’t horror. It was about an anti-hero with serious reality-bending super powers called “Bend or Break.” (

What is the most difficult part of your artistic process?
Focus. I have serious ADHD. I’m always working on five thing at a time.

How long on average does it take you to write a book?
Depends on the book. The first thing I wrote took months to finish and years to perfect. The most recent novella I wrote took only about two weeks to write and about a month to perfect.

A common misconception about authors is that they are socially inept. Does that hold true for you?
I am about as socially awkward as they come. I hate being around people. I don’t like social situations. I can’t stand the mall, I can’t stand bars, I can’t stand clubs… this is basically going to turn into a list of places filled with people that I don’t like.

Now, I can socialize and, as a matter of fact, I find I do it well. I just hate to.

What makes the horror genre so special to you?
I don’t know. Life is pretty boring really. I guess I wish it was actually filled with ghosts and monsters and shit. Writing is about escapism. Why I choose to escape into the terrifying? Not sure. I just find it more interesting than fantasy or action. I think it’s the nature of the conflict. Something feels more human about the struggle inherent to horror.

What’s your process for getting from idea or situation to an actual plot that you can outline (if you outline)?
I don’t outline. I usually get an idea and then I target an outcome. It feels like the journey between point A and B is just a natural progression.

So how do I get an idea? Several different ways. I either have a dream—no shit—I have a nightmare that has a full-blown plot, start to finish, and I write that, or something pisses me off. When something pisses me off, I feel the need to address it in some way. The Flagellant, for instance. That story is about how much I hate the way victims are commonly written in horror movies. Far too often, they’re written as either generally obnoxious debauchees at best, or absolute insufferable assholes at worst. There’s no relating to them and half the damn time you’re rooting for them to get killed. I wanted to write a story about trying to humanize said insufferable assholes.

If you had the choice to rewrite any of your books, which one would it be, and why?
The Flagellant. I wrote it almost twelve years ago, and I’ve improved so much since then. It took three editors almost two months to clean it up. It was embarrassing. I’d want to rewrite it as the writer I am now to see what I could do with it.

Do you prefer writing short stories, novellas, or novels?
The pen COMMANDS ME! I joke, of course, but I really don’t know what I’m writing until I’m in the thick of it. There’s no real preference. I feel like some stories just need to run longer than others.

Do you have a writer’s website or Facebook page where readers can follow you? Twitter?
Of course. My reviews are on Horror.Media, and

Samples of my writing are on my Facebook page and occasionally on Twitter but also my reviews, so check out the Notes on my Facebook page:

Coming Soon: ODDS AND ENDS by Dustin LaValley

Prepare to be ferried to an unfamiliar realm on the bony back of despair.ODDS AND ENDS by Dustin LaValley

Author Dustin LaValley takes us down face first with rapid-fire flash fiction in the form of ODDS AND ENDS: AN ASSORTMENT OF SORTS. Already associated with the dark and bizarre, LaValley expands his repertoire to experiment with form and literary introspection.

These harrowing meditations on the nature of the world—and the very purpose of humanity—not only provide chills, but strangely the effect of this read is vastly disproportionate to its length, leaving us with scars to contemplate for a long time to come.

Watch the book trailer here:

Guns, Girls, and Tattoos: A Book Trailer for ODDS AND ENDS

Raw Dog Screaming PressLook for ODDS AND ENDS, due out this month, from Raw Dog Screaming Press.

“Extraordinary. Hauntingly poignant.”
–Thomas Ligotti, author of My Work Is Not Yet Done

Connect with Dustin LaValley:
On Facebook: Dustin LaValley, Author
Dust, In the Valley:
On Twitter:

Artwork by Jody Rae Adams.

A terrific review of MIRAGES, edited by Trent Zelazny. My “Poor Old Soul” is in there, along with stories by Joe R. Lansdale, Tom Piccirilli, and Kealan Patrick Burke. Have you gotten your copy yet?

Dave de Burgh

I received this anthology a couple of months ago from one of its contributors, Curt Jarrell, a fellow bookseller and champion of all things Speculative. 🙂

I’m really glad that I got an opportunity to read this anthology, because it’s one of the best collections of dark, unsettling tales that I’ve ever read. I won’t say that it was a pleasurable read -I’m not sadistic or masochistic- but it was definitely an eye-opener, and supremely memorable.

The anthology kicks off with The Conclusion by Tom Piccirilli, which was, for me, a beautiful and heartbreaking tale about how one man deals with the impending death of someone very close to him – the story was dark and, in places, unsettling, but quite beautiful.

The next tale, American Chinnamasta by Jeffrey Thomas, was insanely twisted and yet deeply affecting – we become a passenger on a girl’s journey toward…

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The 777 Game

Author friend Rose Vanden Eynden tagged me in her blog post today. It’s a fun game, and here are the rules:

  1. Go to page 77 of your current work in progress.
  2. Scroll down 7 lines.
  3. Paste the next 7 sentences into your blog.
  4. Then tag 7 more authors to carry forward the 777 game. Add their links, and remember to link to the person who tagged you… (Also, let everyone know.)

From page 77 of DEATH PERCEPTION:

Antogonist Cecil Grinold puts protagonist Kennet Singleton to the test, to see if the young man really can discern cause of death by toasting marshmallows over the cremated remains of the deceased. But Grinold is up to no good, of course.

“I was just thinking of a little experiment.” Yes, why not find out whether my young employee is telling the truth or inventing tall tales? Knowing that his psychic “gift” was impossible, Cecil gloated about the time when he would fire Kennet for good. Hopefully, soon.


“Yes, Kennet. Are the marshmallows still here?”

“Unless you threw them away.”

“I should have, but I didn’t. Bring them out.”

“I hope there’s no problem . . . ”

“Relax. Just get the marshmallows.” Dummy.

Okay, so I posted a few more than 7 sentences, but it was a good breaking point. You can learn more about DEATH PERCEPTION here.

Rose’s links are at the beginning of this post, and here are links to 7 of my friends’ blogs. Check them out. Read their stuff. Support writers!