Seeking Beta Readers for THE BEDWETTER

I’m seeking beta readers for a 52,000-word psychological thriller/horror novel.

Pay is involved. Contact me if you’re interested in being a beta reader. Thanks.

THE BEDWETTER by Lee Allen Howard

Journal of a budding psychopathPanties Ad
Armed with electric hair trimmers and a military fighting knife,
Russell accepts his dark commission.

Russell Pisarek is twenty-six years old and still wets the bed. He grew up different from other young men because his vicious mother punished him for wetting by shaving his head. When he confided this to his girlfriend Tina, she betrayed him, advertising his problem to all their high school classmates, who turned on him mercilessly. He took out his frustration by skinning neighborhood cats.

Now fixated on paying women back, Russell fantasizes about finding just the right girl—so he can shave her bald. He struggles to overcome his dark tendencies, but when his sister discovers he’s wetting again, she kicks him out of her house.

During this time of stress, the mythical Piss Fairy appears in his dreams, and Russell is driven to satisfy his twisted desires with his innocent coworker Uma, who also needs a new roommate.

When his plans go awry, the Piss Fairy commissions him for a much darker task that graduates him from shaving to scalping—and worse.

Warning!

This novel depicts intense violence, hardcore horror, and disturbing psychological terror in the vein of such works as Jack Ketchum’s The Girl Next Door, Cormac McCarthy’s Child of God, Joyce Carol Oates’ Zombie, and Jim Thompson’s The Killer Inside Me.

Although THE BEDWETTER is a fascinating in-depth character study into the mind and actions of a misogynistic and homophobic psychopath, the story events are vicious and brutal, the language coarse, and the approach to their reporting is cold and unflinching.

This book is not for the faint of heart or those easily offended by language, sex, or violence. Read at your own risk.

Read the first chapter

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I Finished the First Draft of THE BEDWETTER

Almost two months ago I posted the first scene of my work in progress, a dark psychological thriller I’ve titled THE BEDWETTER. It’s about an abused young man with chronic secondary nocturnal enuresis who, as pressures mount, embarks on a killing spree using the tools of his dark fantasies.

I tracked my daily writing milestones with nightly Facebook page updates, and posted a progress report two weeks ago.

I finished ahead of schedule, completing the first draft the evening of April 4, 2013, at a total of 51,167 words—very close to my revised goal of 52,500. I was ecstatic! Since the beginning of 2013, I’d been spending two hours almost every weekday evening, and three to six hours on Saturdays and Sundays, plotting and writing. My all-time daily writing record was 2528 words on 3/26; my weekend writing record was 5024 words on 3/29-31; my daily average came out to be 1339/day.

I forced myself to let it cool for a week (well, almost a week) while I worked on getting DEATH PERCEPTION ready for release (next month). Today I exported THE BEDWETTER Scrivener project to a Word file and printed out the entire draft: 241 pages. I will begin my read-through tonight, making notes in the margin. Here’s a peek at the first draft. 🙂

Bedwetter Manuscript, First Draft

I’ll keep you updated on my progress. In the meantime, drop me a line!


Progress Report on THE BEDWETTER

A month ago I posted the first scene of my work in progress, a dark psychological thriller I’ve titled THE BEDWETTER. It’s about an abused young man with chronic secondary nocturnal enuresis who, as pressures mount, embarks on a killing spree using the tools of his dark fantasies.

I’ve started to keep track of my writing progress and wanted to update you in a more comprehensive way than my daily Facebook status updates and tweets.

Idea Development in THE BEDWETTER

I originally received inspiration during some time off I took at the end of last year. I got the idea about a young man being punished in a horrifying way for wetting the bed. I used those two weeks to formulate a big-picture plan for the story, filling out plot and character questionnaires, just getting to know the story.

From that point on, I began to hear this character’s voice and was often interrupted by creative “downloads” of information that I would later work into scenes and dialogue.

Plotting of THE BEDWETTER in Truby’s Blockbuster 6

I spent all of January and the first half of February doing more detailed plotting using John Truby’s screenplay development software, Blockbuster 6. The application leaves a lot to be desired, but it enabled me to draft a list of scenes and arrange them in the right order. Then, I fleshed out each scene, answering questions such as:

  • My challenge in writing this scene
  • My strategy for writing this scene
  • The scene goal (POV character’s desire)
  • The character’s plan to achieve the goal
  • The opponent in the scene
  • The scene’s conflict
  • Any twist revealed
  • The scene’s moral argument (value A vs. value B)

Blockbuster 6 also enables you to include the structures of up the three genres in your story (for example, horror, thriller, and myth); track six storylines; and monitor key words, symbols, and tag lines.

I completed a scene form for 59 scenes in the book, and included in each scene some details about what needs to happen and the information I must reveal when I write the scene.

Drafting THE BEDWETTER in Scrivener

I downloaded the Beta of Scrivener for Windows over a year ago and played around with it, but didn’t use it seriously. I got serious with THE BEDWETTER. I created folders for characters, research, and scenes. Scrivener 2.0 isn’t perfect either, but it offers scads of cool project management features geared toward writers. I love using it now and likely will continue to do so.

Starting mid-February, I began taking my Blockbuster scene sheets and writing actual scenes from them. Weeknights I would spend two to three hours in any one of half a dozen coffee shops around Pittsburgh’s east end—the same on Saturdays and five hours on Sundays—drafting scenes and making progress. I didn’t start keeping detailed stats until March 3, but here are my word count stats so far:

Date Daily So far Weekend
2/12/2013 1000
3/1/2013 ? 6,980
3/3/2013 1691 8,671
3/4/2013 406 9,077
3/5/2013 1253 10,330
3/6/2013 1848 12,178
3/7/2013 912 13,090
3/8/2013 1001 14,091
3/9/2013 1201 15,292
3/10/2013 2290 17,582 4,492
3/11/2013 711 18,293
3/12/2013 666 18,959
3/13/2013 875 19,834
3/14/2013 884 20,718
3/15/2013 884 21,602
3/16/2013 942 22,544
3/17/2013 1,845 24,389 3,671
3/18/2013 541 24,930
3/19/2013 604 25,534
3/20/2013 766 26,300
3/21/2013 537 26,837
3/22/2013 735 27,572
3/23/2013 1,907 29,479
3/24/2013 2,134 31,613 4,776

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My initial goal for a first-person, present-tense novel in this voice was 42,500 words. But by the time I finished the beginning scenes and started writing the middle, I realized it would be longer. My present goal is 52,500. We’ll see where it comes in at when I’m finished. And I already have 45 scenes; my total will exceed 59.

Read the First Scene of THE BEDWETTER

I invite you to read a draft of the first scene. I’m warning you, it’s dark. (I’ll confide that some of it has been tough to write.) But I must remain true to my inspiration. This story wants to be told, and I’ve never before enjoyed such a flow of ideas and writing.

I’ll keep you updated on my progress. In the meantime, I’d love to hear from you!