Over a decade ago, he began writing a column for Hellnotes journal called “Instigation,” which provided not only creative—but darkly creative—writing prompts for writers. He continued this tradition at Gorelets.com and in his Goreletter (totally worth subscribing to). Arnzen has expanded his original collection of prompts and revised, updated, organized, and supplemented it into a terrific resource for creative writers on the dark side.
I recently downloaded INSTIGATION and gave it a spin. I’m so glad I did.
In “Here Comes the Fork: An Introduction,” Arnzen discusses writer’s block and creative desiccation, and how writing prompts can get the imaginative juices seeping again.
One trick to getting started is to sidestep the burden of coming up with ideas or a plot first. That’s what a prompt does — it challenges the writer to respond without having to worry too much about premise or plot. It hands you a deck of cards and maybe even the rules too and encourages you to simply start dealing them out.
Yet for the writer of dark fiction, most writing prompts fall short, providing only inspiration. “Rarely,” he says, “do they push you to do something truly weird, taboo, goofy or unthinkable (ergo, original).” Sure, your plot and writing may follow typical form, but Arnzen believes that “the best genre fiction always marries convention with invention.” And that’s where his envelope-pushing prompts slither in.
Arnzen suggests successful usage in “How to Use This Book,” while advising that, when writing, the best counsel is, “Do whatever works.” This may involve journaling or freewriting.
“365 Sick Scenarios” lists a story starter for every night of the year, with prompts like: “Create a numbered list: ‘Rules for Human Hunting'” and “Clot a wound or make a tourniquet with an unexpected object.”
“Spurs: 31 Turns for the Worst” includes prompts for works in progress—when you need a jab in the flank by your demon rider to “take things in an unexpected direction.” Like “Torment with temperature” (a creative way of saying turn up the heat on your character).
“Resurrections” are prompts that will help bring your story “back from the dead” during revision. This will come in handy for me soon.
“Memoir Mayhem” is a collection of journal prompts to inspire you beyond the realm of dark fiction.
The D.I.Y. section, “The Devil Made You Do It Yourself,” enables you to customize his prompts or come up with your own writing exercises. I particularly like “The Monster Mash” and “Weird Sins.”
All these sections are numbered with a scheme so that you can do a random search to pick a prompt out of the skull cap.
INSTIGATION concludes with a few short articles to help you overcome writer’s block. (Which makes me think of a chopping block. “Stick your neck out and write, or just stick your neck out.” How’s that for inspiration and encouragement? You only have me to blame for this prompt, I’m afraid.)
Arnzen encourages INSTIGATION users to write their own material and drop him a line to get a link to their work posted in his “Instigation Showcase.”
Mike Arnzen is also the creator of “The Refrigerator of the Damned” magnetic poetry kit. Take down your kids’ drawings and post a horrific poem about how they cried. Get your kit at Raw Dog Screaming Press.
The number one rule in writing is that if you want to write, and write well, you must write every day. Poetry is no exception. When I decided I wanted to become a poet—something I distinguish greatly from being a fiction writer—I knew it wouldn’t be easy. Poetry doesn’t have a huge market, it certainly doesn’t pay well, and to add to the frustration, when you throw genre on the table, you’re looking at a dead end.
Except you’re not.
I’ve dabbled in literary—as I think every up-and-coming poet should—but anyone who knows me realizes my heart is firmly cemented in the black shadows of horror. So not only am I a poet, but I’m a horror poet, and contrary to the monsters and creatures that we all know and love, we do exist and there is a market for us.
And for you, if you’re willing to take the jump.
My connection with poetry has always been very visceral and intuitive, and I’ve come to realize, that unlike my prose, it’s not something that I can just sit down and work on routinely like a job. I need inspiration, crave it, and much like a succubus, I bleed the art form dry when I’m done. It’s hard for me to describe it, but for anyone who has seen what Bo does to her victims in Lost Girl, you can get an idea of how poetic energy works for me. Before I can act, I need a source. A vein. Something living that I can tap into.
Usually it’s art.
Most of the time it’s music.
Sure, I have times where I experience a swell of emotion spiraling inside of me and it’s easy to find the words to expel it, but other times I need to look at or listen to something so I can get hold of its story. Pinterest has been a great optical vessel because I can sweep through pages and save visuals and sayings that speak to me, and make collages or boards based on a specific piece or particular emotion. This is a great way to do character studies or pinpoint locations, and I find myself coming back to it more and more when I need assistance purging a poem.
Spotfiy, however, is my auditory mistress. I pace my writing based on the song I’m listening to, and I recently became enthralled with artists such as Jill Tracy, Johnny Hollow, and Sopor Aeternus. Their music is dark, seductive and beautifully gothic; it’s a wonderful aid when it comes to soft, psychological horror. But I would be lying if I didn’t say that one of my favorite pastimes as a horror writer is creating and administering the kill scene. In poetry, you don’t have the luxury of going on for pages about a kill. You have to be quick, fast, practiced, and effective. Much like if you were actually going to commit a murder.
So let’s write a horror poem using this process.
Step 1: Find your victim. Put on your favorite, high energy song or look up a piece of artwork. (These don’t have to be scary. They just have to elicit emotion). For example, here’s my current inspiration:
Currently playing: “Click Click Boom” by Saliva
Victim: A stalker
Step 2: Predict their next move. If it’s not scary, how would you make it creepy? If it is, how does it make you feel? This will give you your topic. Here are thoughts I jotted down:
Observations: He doesn’t see me watching him, watching her. He thinks he’s going in for a kill, but doesn’t realize that tonight… he’s the victim.
Step 3: Stalk and take notes. Write down individual words or phrases that come to mind when thinking about the subject matter.
Notes: Oblivious, sloppy, unaware, misogynistic, rape, watching, young, pain, knife, old blue jeans, broken, pervert, swelling sex, doesn’t understand, who does she think she is, I deserve this, curls, masturbation, innocence, gun.
Step 4: Go for the kill. Be creative and don’t limit yourself. Feel free to play.
Here’s what I came up with using this process.
Her Stalker’s Stalker
By Stephanie M. Wytovich
He watched her pull her auburn hair
Back into a loose ponytail, moaning
As flyaway strands caressed her teenage face.
He stroked the barrel of his gun, pretending it was her
Fragile hands around his cock,
Thinking, hoping, that after tonight he
Wouldn’t have to imagine it anymore.
He liked to watch her like this—
Catch her in the throes of passion
As she discovered her womanhood,
Felt what it was like to touch herself
Between the legs—but what he didn’t
See, was me. Me pulling back my soft,
Black curls into a ponytail, and
Fingering my knife as I watched him
Watching her, while I planned my kill.
I’d love to know how this process worked for you. Send your creations and trophy kills to wyt3319(at)gmail(dot)com, and I’ll showcase your poems on my blog at: http://joinmeinthemadhouse.blogspot.com/
Stephanie M. Wytovich
About Stephanie M. Wytovich
Stephanie M. Wytovich is an alum of Seton Hill University where she was a double major in English Literature and Art History. Wytovich is published in over 40 literary magazines and her collection of poems, HYSTERIA, will be released this summer. She is currently attending graduate school to pursue her MFA in Writing Popular Fiction, and is working on a novel. She is the Poetry Editor for Raw Dog Screaming Press, a book reviewer for S.T. Joshi, Jason V. Brock, and William F. Nolan’s Nameless Magazine, and she plans to continue in academia to get her doctorate in Gothic Literature.
Inspiration comes from the same source as psychic information, and delivers creative information along the same channel. By learning to open your psychic channel, you become better able to receive inspiration and channel creative information that makes fiction work. In short: If you widen the psychic channel, you’ll get better ideas.
To receive this information, you must:
1. Connect to higher sources.
2. Bring that information into your waking consciousness.
You’ll learn how to do this with actual development exercises.
What People Are Saying about “Psychic Development for Writers”
Lee Allen Howard’s “Psychic Development” gave me insight into how my creativity works, as well as working out a “stuck spot” in my manuscript through his guided meditation. It works! —Meg Mims, author of Double Crossing
This dynamic and thought-provoking workshop by Lee Allen Howard is accessible to anyone, regardless of his or her spiritual path. Lee’s presentation is clear and straightforward, and the guided exercise at the conclusion is worth multiple revisits. Highly recommended! —Chris Stout, author of Days of Reckoning
What You’ll Receive
CD of the live audio presentation of “Psychic Development for Writers” (tracks split per slide), including the psychic development exercises that you can use at home
Session handouts that include slides, psychic development exercises, an article about gifts vs. skill, and a bibliography.
CD with handouts are $15, which includes shipping to locations in the continental US. To order, click the following link:
On June 24 last year I spoke at Seton Hill University’s Writing Popular Fiction In Your Write Mind alumni retreat on the topic, “Alternative Methods of Idea and Story Generation.” I talked about being open to receiving story ideas and writing assistance from higher consciousness.
I also work as a Spiritualist medium. My metaphysical musings are posted on my other blog, Building the Bridge, which you might want to subscribe to. I’ve channeled through writing since 1989. (Channeling means to open yourself spiritually to communicate the thoughts and voice of discarnate intelligences.)
Here’s something my guides spoke to me the other night concerning my fiction writing. I was concerned that the idea I was working on was too big to handle, something beyond my abilities. They told me to take it one step at a time. (I know, not really profound, but I found it comforting.)
As we continue to prompt you concerning your writing endeavors, continue and be faithful to respond, and we will lead you to the next step. Do not fear that you cannot construct a masterpiece quickly in one sitting. These things take time. Be faithful to follow the process, and you will see your productivity increase, and you will grow to become more prolific.
Fear not about the future, for we have a design and a plan laid out for you. If you will but follow and yield yourself to the gifts we have placed within you, they will make a way even before kings. Step by step, day by day, follow the way, and we will lead you onward.
If you feel called to write, I hope you also will find this encouraging.
As always, feel free to leave a comment. I’d love to hear from you.