Tag: secondary nocturnal enuresis

April 10, 2013

I Finished the First Draft of THE BEDWETTER

Almost two months ago I posted the first scene of my work in progress, a dark psychological thriller I’ve titled THE BEDWETTER. It’s about an abused young man with chronic secondary nocturnal enuresis who, as pressures mount, embarks on a killing spree using the tools of his dark fantasies.

I tracked my daily writing milestones with nightly Facebook page updates, and posted a progress report two weeks ago.

I finished ahead of schedule, completing the first draft the evening of April 4, 2013, at a total of 51,167 words—very close to my revised goal of 52,500. I was ecstatic! Since the beginning of 2013, I’d been spending two hours almost every weekday evening, and three to six hours on Saturdays and Sundays, plotting and writing. My all-time daily writing record was 2528 words on 3/26; my weekend writing record was 5024 words on 3/29-31; my daily average came out to be 1339/day.

I forced myself to let it cool for a week (well, almost a week) while I worked on getting DEATH PERCEPTION ready for release (next month). Today I exported THE BEDWETTER Scrivener project to a Word file and printed out the entire draft: 241 pages. I will begin my read-through tonight, making notes in the margin. Here’s a peek at the first draft. 🙂

I’ll keep you updated on my progress. In the meantime, drop me a line!

March 24, 2013

Progress Report on THE BEDWETTER

A month ago I posted the first scene of my work in progress, a dark psychological thriller I’ve titled THE BEDWETTER. It’s about an abused young man with chronic secondary nocturnal enuresis who, as pressures mount, embarks on a killing spree using the tools of his dark fantasies.

I’ve started to keep track of my writing progress and wanted to update you in a more comprehensive way than my daily Facebook status updates and tweets.

Idea Development in THE BEDWETTER

I originally received inspiration during some time off I took at the end of last year. I got the idea about a young man being punished in a horrifying way for wetting the bed. I used those two weeks to formulate a big-picture plan for the story, filling out plot and character questionnaires, just getting to know the story.

From that point on, I began to hear this character’s voice and was often interrupted by creative “downloads” of information that I would later work into scenes and dialogue.

Plotting of THE BEDWETTER in Truby’s Blockbuster 6

I spent all of January and the first half of February doing more detailed plotting using John Truby’s screenplay development software, Blockbuster 6. The application leaves a lot to be desired, but it enabled me to draft a list of scenes and arrange them in the right order. Then, I fleshed out each scene, answering questions such as:

• My challenge in writing this scene
• My strategy for writing this scene
• The scene goal (POV character’s desire)
• The character’s plan to achieve the goal
• The opponent in the scene
• The scene’s conflict
• Any twist revealed
• The scene’s moral argument (value A vs. value B)

Blockbuster 6 also enables you to include the structures of up the three genres in your story (for example, horror, thriller, and myth); track six storylines; and monitor key words, symbols, and tag lines.

I completed a scene form for 59 scenes in the book, and included in each scene some details about what needs to happen and the information I must reveal when I write the scene.

Drafting THE BEDWETTER in Scrivener

I downloaded the Beta of Scrivener for Windows over a year ago and played around with it, but didn’t use it seriously. I got serious with THE BEDWETTER. I created folders for characters, research, and scenes. Scrivener 2.0 isn’t perfect either, but it offers scads of cool project management features geared toward writers. I love using it now and likely will continue to do so.

Starting mid-February, I began taking my Blockbuster scene sheets and writing actual scenes from them. Weeknights I would spend two to three hours in any one of half a dozen coffee shops around Pittsburgh’s east end—the same on Saturdays and five hours on Sundays—drafting scenes and making progress. I didn’t start keeping detailed stats until March 3, but here are my word count stats so far:

My initial goal for a first-person, present-tense novel in this voice was 42,500 words. But by the time I finished the beginning scenes and started writing the middle, I realized it would be longer. My present goal is 52,500. We’ll see where it comes in at when I’m finished. And I already have 45 scenes; my total will exceed 59.

Read the First Scene of THE BEDWETTER

I invite you to read a draft of the first scene. I’m warning you, it’s dark. (I’ll confide that some of it has been tough to write.) But I must remain true to my inspiration. This story wants to be told, and I’ve never before enjoyed such a flow of ideas and writing.

I’ll keep you updated on my progress. In the meantime, I’d love to hear from you!