Perry got rolled last night during a blackout. He’s looking for what he’s lost, and that’s more than his wallet and cell phone. He finds Talia; Talia finds him.
Reading Zelazny is like going on a drinking binge and waking in the gutter. But among the messy people in a sad, depressing world is existential philosophy cocooned in beautiful writing. Zelazny has a knack for turning phrases—not just on the page, but in your mind.
Along with despair, there is humor: “To Perry he looked like a kid who’d been picked on in school, which over time had given him the options of suicide, junkie, criminal, or law enforcement.” Priceless.
In the end, there is satisfaction. And thankfully, some hope. All while the butterfly watches.
Gwendydd, the illegitimate child of an allegedly wild woman, suffers her mother’s reputation, but longs to know the truth of her heritage. Slated for a loveless marriage to her chieftain grandfather’s political ally, she meets and falls in love with a druid’s apprentice, a handsome man with golden eyes, possessed of second sight, yet said to be the son of a demon. Appearing and disappearing at will are a few of the many feats of magick the young Myrddin (Merlin) can do, as well as casting glamours—and building Stonehenge with his metaphysical prowess.
Beyond the disapproval of her family, difficulties mount when Myrddin’s clairvoyant visions foretell the birth of a great king who will unify a warring Britain. To shift the balance of power, they must succeed in a dangerous scheme, one that threatens their very lives.
If you’re looking for a book that’s a perfect potion made of magick, romance, and adventure, I highly recommend MERLYN’S RAVEN. Rose Vanden Eynden’s words flow like a rushing river. The setting is rich, the characters are fascinating, the magick is powerful, the treachery surprising. Keeping the pace brisk throughout, Vanden Eynden builds ancient intrigue to an exciting conclusion and sets things up nicely for the next edition of an enchanting saga.
I’ll be presenting at Seton Hill University’s IN YOUR WRITE MIND writer’s workshop on Friday morning, June 22. My topic is “Psychic Development for Writers.”
Psychic development is not just for a gifted few. It’s for everyone human, and especially for you as a storyteller.
This workshop will help you discover the innate skills of clairvoyance, clairaudience, and clairsentience. By exercising your psychic sensing mechanisms, you widen your inspirational channel, empowering you to create stories that resonate more deeply with readers.
Come prepared with a specific project in mind to strengthen your imaginative abilities.
I’ve read most of Trent Zelazny’s work, and along with TO SLEEP GENTLY, this is one of my new favorites.
Again, in DESTINATION UNKNOWN, Zelazny really puts the screws to his characters, and I relish that in a suspense tale. Just when you think you know where the story’s going,—blammo!—you’re off in a different direction and, by the end, careening downhill with no brakes. (I should warn you that I had to stop reading this one late at night because it was jacking my adrenaline and I couldn’t get to sleep.)
The characters are deep as they are wounded. Brian and Kate tragically lost a son and think they’ve received a boon when they come across some money. A lot of money. But the owner wants it back, and will do anything to get it.
DESTINATION UNKNOWN will keep you guessing to the end, and wincing at every development along the way. Classic TZ with an 80s music soundtrack. Loved every freaking page. Please write another.
Then tag 7 more authors to carry forward the 777 game. Add their links, and remember to link to the person who tagged you… (Also, let everyone know.)
From page 77 of DEATH PERCEPTION:
Antogonist Cecil Grinold puts protagonist Kennet Singleton to the test, to see if the young man really can discern cause of death by toasting marshmallows over the cremated remains of the deceased. But Grinold is up to no good, of course.
“I was just thinking of a little experiment.” Yes, why not find out whether my young employee is telling the truth or inventing tall tales? Knowing that his psychic “gift” was impossible, Cecil gloated about the time when he would fire Kennet for good. Hopefully, soon.
“Experiment?”
“Yes, Kennet. Are the marshmallows still here?”
“Unless you threw them away.”
“I should have, but I didn’t. Bring them out.”
“I hope there’s no problem . . . ”
“Relax. Just get the marshmallows.” Dummy.
Okay, so I posted a few more than 7 sentences, but it was a good breaking point. You can learn more about DEATH PERCEPTION here.
Rose’s links are at the beginning of this post, and here are links to 7 of my friends’ blogs. Check them out. Read their stuff. Support writers!
Ever notice how much alcohol is consumed in a zombie novel? Guest blogger, Armand Rosamilia, author of DARLENE BOBICH: ZOMBIE KILLER, DYING DAYS and DYING DAYS 2, muses about the relationship and turns a drinking game into an intoxicating giveaway—perfect for St. Patrick’s Day…
Armand Rosamilia, author of DYING DAYS 2
Have you ever heard that old line about writers and alcoholics being cut from the same cloth? It doesn’t hold true for me.
I currently have one bottle of rum in the house, which I bought about one year ago while on a cruise. I keep no beer in the house; I have no cool bar on the patio with tiki torches and a neon Budweiser sign flashing while I mix drinks. I’m going on a cruise again in a few days, and will buy my token bottle of rum from the Bahamas and add it to the other bottles collecting dust atop the fridge.
I’m not much of a drinker, preferring gallons of coffee as my poison. But I noticed after finishing my latest zombie book, DYING DAYS 2, that the survivors of the zombie apocalypse can last without good food, toilet paper or communication with others, as long as they have alcohol.
There’s even a bar that plays a huge part in the story (Kimberly Murphy’s Bar, in case you keep track of trivia), and I intended it to be a small, passing chapter. Except a strange thing happened. Most of the characters in the story hang out there. They want to be there when they aren’t, and seem to have the best time there after killing undead all day. Kimberly became as big a character as Darlene Bobich in the tale.
I took a quick glance through the three books in the series (DARLENE BOBICH: ZOMBIE KILLER, DYING DAYS and DYING DAYS 2) and noticed how much drinking I’d added. It’s an interesting observation, although I’m not sure what it means. Post a comment here and share your opinion.
For you zombiephiles, maybe there’s a drinking game in there somewhere: Every time a zombie dies, down a shot… every time a character drinks, take a shot… I don’t suggest drinking every time a character says the “F” word, though, because you’ll probably fall into an alcohol-induced coma, leaving you vulnerable to attack.
GIVEAWAY!
Want to win free eBooks and maybe print books of them? My contest is simple—like a drinking game. E-mail me at armandrosamilia (at) gmail (dot) com with DYING DAYS in the subject line, and I’ll enter you into the daily giveaway. Also, post a comment here, and you get another chance to win. Follow my blog at http://armandrosamilia.com for yet another chance, and friend me on Twitter (@ArmandAuthor) and simply tweet DYING DAYS to me, and you’ll get another shot—nice and easy, right?
If I get enough people joining in the giveaway, I’ll give away a print book that day! Kind of makes you drunk with excitement, doesn’t it?
Do you wish you could write more? Guest blogger, Heidi Ruby Miller, author of AMBASADORA and GREENSHIFT, reveals how she increased her daily word count. Keep reading for a chance to win a copy. You’ll want to, because her spicy sci-fi romances rock with action!
Heidi Ruby Miller, author of AMBASADORA and GREENSHIFTI resolved this year to WRITE FIRST.
It was my way of seeing if I could write more. And it worked.
Believe me, I was more surprised than anyone. Over the past five years I had steadily worked out of the century club (100 words per day) to the millennium club (1000 words per day), but then I stalled. I have always been a slow writer, probably because I labor over every word and character motivation, each plot point, the cadence of individual sentences, blah blah blah.
Outlining helped me tremendously once I started graduate school. The planner that I am, I usually had a nice beginning/middle/end worked out, then went from there. When I began to do more extensive outlines (80 pages long), which detailed each scene, I had a rough first draft in no time and a direction to move with the story. That’s when the 1000 words a day came quite easily.
To jump to the next level (like Robert J. Sawyer with his 2000 words a day or Susan Mallery with her 20 pages a day) I needed a little extra mojo. Turns out the solution was simple—write first.
I decided to try my new tactic in 2012 after talking with horror writer and my co-editor of MANY GENRES, ONE CRAFT, Michael A. Arnzen. Instead of New Year’s resolutions, he does focus words—words that he focuses on all year in order to make improvements in his life and career. My words were WRITE MORE, but that seemed too broad, so I decided upon WRITE FIRST.
And that’s what I’ve been doing since January 1. I wake up half an hour early to… work through a yoga routine.
Okay, I know you were expecting me to say “write,” but with as much time as I spend on the computer, I wouldn’t be able to move if I didn’t stretch and breathe first thing in the morning. But then I write. Before I change out of my pajamas or make a cup of tea or surf through all my social media sites or before my husband gets out of bed, I sit down and write for at least 30 minutes. That may not seem like much time, but it’s enough to get a few hundred words in or a few pages revised. More importantly, it brings my story front and center in my mind where it stays all day long.
It becomes a trance-like state for me during the rest of the day. No matter what I’m doing, I’m thinking about my characters, plotting scenes in my head. This compels me to sit back down in front of the laptop and keep writing. Before I know it, I’ve sometimes had 3000 words by day’s end or revised four chapters. More typically, I hit 2000 words, but that’s double what I was doing last year at this time.
Granted, I accrue this word count during various sessions throughout the day, not in one sitting—I would have a constant migraine if that were the case. But it’s working. January 2012 was my most productive month ever. So far February is falling a little shorter with only an average of 1500 words per day, but that’s still 500 more than most days last year. I blame the small lapse on the launch for my latest novel GREENSHIFT, which came out on Valentine’s Day. Obviously, more marketing time was required this month. I fully expect my productivity to kick into overdrive in March… by simply writing first.
GIVEAWAY!
Be entered to win a copy of GREENSHIFT or AMBASADORA or both by telling us in comments what you’re reading right now and leave your email address disguised something like heidirubymiller AT gmail. Winners will be drawn randomly on March 1, 2012, and announced on March 2, 2012. Good luck!
About Heidi Ruby Miller
Heidi Ruby Miller has been putting too much sex in her Science Fiction since 2005 because she believes the relationship is as important as the adventure. She loves high-heeled shoes, action movies, Chanel, loud music, and video games.
On June 24 last year I spoke at Seton Hill University’s Writing Popular Fiction In Your Write Mind alumni retreat on the topic, “Alternative Methods of Idea and Story Generation.” I talked about being open to receiving story ideas and writing assistance from higher consciousness.
I also work as a Spiritualist medium. My metaphysical musings are posted on my other blog, Building the Bridge, which you might want to subscribe to. I’ve channeled through writing since 1989. (Channeling means to open yourself spiritually to communicate the thoughts and voice of discarnate intelligences.)
Here’s something my guides spoke to me the other night concerning my fiction writing. I was concerned that the idea I was working on was too big to handle, something beyond my abilities. They told me to take it one step at a time. (I know, not really profound, but I found it comforting.)
As we continue to prompt you concerning your writing endeavors, continue and be faithful to respond, and we will lead you to the next step. Do not fear that you cannot construct a masterpiece quickly in one sitting. These things take time. Be faithful to follow the process, and you will see your productivity increase, and you will grow to become more prolific.
Fear not about the future, for we have a design and a plan laid out for you. If you will but follow and yield yourself to the gifts we have placed within you, they will make a way even before kings. Step by step, day by day, follow the way, and we will lead you onward.
If you feel called to write, I hope you also will find this encouraging.
As always, feel free to leave a comment. I’d love to hear from you.